The Photographs of John Vachon

GBP £6.37

Available from Amazon Kindle

Description

“We are today making a conscious effort to…leave for the future a very living document of our age, of what people today look like, of what they do and build.”—John Vachon

“The greatness of Vachon’s portrait of America is that it’s not a happy-all-the-time Bedford Falls nor a ghastly Pottersville, neither propagandistically pro- nor anti-American, but achieves some truer, more complicated, liminal version of the nation at midcentury.”—Kurt Andersen on John Vachon

Read More

The more than 175,000 photographs in the Library of Congress’ collection from the Resettlement Administration (RA, 1935–1937), Farm Security Administration (FSA, 1937–1942) and Office of War Information (OWI, 1942–1944) provide a unique and comprehensive view of American life from 1935 to 1944. This government photography project, headed by Roy E. Stryker, employed a small group of individuals who would become some of the 20th-century’s best-known photographers, such as Walker Evans, Dorothea Lange, Russell Lee, Marion Post Wolcott, Arthur Rothstein and Carl Mydans. Initially conceived to document government loans to farmers and their resettlement in suburban communities, the scope of the project expanded to create a visual record of agricultural workers in the South, Midwest and Western United States. Later, Stryker’s photographers recorded both rural and urban centres throughout the country as the nation prepared for World War II. Photographers were sent on assignment to specific regions of the country with guidelines from Stryker to “shoot everyday life;” as Ben Shahn said, “we just took pictures that cried out to be taken.” In 1941, Marion Post Wolcott was documenting migrant workers in Florida, while Jack Delano was photographing African American inmates in a Greene Country, Georgia, jail. Russell Lee sent Stryker film of a gold-mining town in Colorado in 1942, while John Vachon was documenting the farmers hit hard by the Depression in the Midwest.

Each of the volumes in this series presents 50 striking and often experimental images by an individual FSA/OWI photographer. While most are black and white negatives, colour transparencies do exist and are among the lesser-known images in the collection. These are included in select volumes to give a complete sense of the photographer’s work. In addition, each volume features a Preface by W. Ralph Eubanks, former Director of Publishing, Library of Congress. Together, the volumes recreate for the viewer a picture of life prior to World War II and communicate a foreboding sense of the changes that would follow.

Originally hired to the Farm Security Administration (FSA) as an assistant messenger, John Vachon (1914–1975) eventually earned a position as a staff photographer. His work for the FSA marked the beginning of a long and storied career: after serving in World War II, he worked at Standard Oil and Life magazine before joining the staff of Look magazine, where he worked for more than two decades.

Author biographies

Series editor Amy Pastan  is an independent editor, photo researcher, writer, and book producer based in Washington, D.C. In addition to producing volumes for the Library of Congress and other cultural institutions, she writes features for the Web and provides content for film and digital media.

Table of contents

  1. Preface by W. Ralph Eubanks, former director of publishing, Library of Congress
  2. Photographs
  3. Image credits