Seeing Differently

GBP £39.95

Specification

Hardback

ISBN: 978-1-911282-76-1

360 Pages

280 x 240 mm, (9.5 x 11 in.)

190 colour

In association with The Phillips Collection

February 2021

Description

An expansive collection catalogue that offers a multiplicity of fresh perspectives on recent modern and contemporary art acquisitions in The Phillips Collection.

Read More

Planned in conjunction with The Phillips Collection’s centennial, this ground-breaking volume offers an unprecedented breadth of insights and inclusive narratives on the Phillips’s growing art collection from a range of voices, including artists, critics, and scholars. The publication coincides with a major 100th anniversary exhibition that highlights the museum’s acquisitions since 2000.

The Phillips Collects for a New Century features works across wide-ranging media by renowned artists from the 19th to the 21st centuries, including Benny Andrews, Alexander Calder, Edgar Degas, Simone Leigh, and Renée Stout. An opening essay by Dorothy Kosinski, artist conversations, thematic essays, and 150 plates with 50 object responses by notable contributors ensure this volume’s status as a lasting historical resource.

Edited by Elsa Smithgall
Contributions by heather ahtone, Taylor Renee Aldridge, Dominique Baqué, Tina Baum, Enrique Martínez Celaya, Makeba Clay, Kate Cowcher, Jessica Stafford Davis, John Edmonds, Susan Behrends Frank, Antony Gormley, Wendy A. Grossman, Jeffreen M. Hayes, Liesbeth Heenk, Mary Jane Jacob, Fred L. Joiner, Franz W. Kaiser, Dorothy Kosinski, Lauren Kroiz, Raina Lampkins-Fielder, Jacqueline E. Lawton, Whitfield Lovell, Jennifer Wen Ma, Renée Maurer, Kent Mitchell Minturn, Jed Morse, Charmaine A. Nelson, Alexander Nemerov, Jeremy Ney, Bruce Nixon, Nontobeko Ntombela, Klaus Ottmann, Eliza E. Rathbone, Bridget Riley, Ellington Robinson, Bernardi Roig, Susan Rothenberg, Sean Scully, Alyson Shotz, Elsa Smithgall, Bosco Sodi, Renée Stout, Lou Stovall, Vesela Sretenović, Elizabeth Hutton Turner, and Jenna Wortham

Author biography

Elsa Smithgall is senior curator at The Phillips Collection.

Table of contents

  • Chairman’s Preface
  • Director’s Foreword
  • Introduction by Dorothy Kosinski
  • Prelude: Reflections on Renoir and Luncheon of the Boating Party by Bridget Riley
  • “It is the Color Of Course” by Klaus Ottmann
  • Not the Eye but the Beholder: The Shared Vision of Duncan Phillips and John Dewey by Mary Jane Jacob
  • Artist Conversation with David C. Driskell and Elsa Smithgall
  • Unraveling the Absolute: Painting Music at The Phillips Collection by Jeremy Ney
  • Learning to Look & See by Fred L. Joiner
  • Excelsior and the Contemporary by Kent Mitchell Minturn
  • In the Round: From Drawing to Sculpture by Jed Morse
  • San Francisco Modern: Manuel Neri and Frank Lobdell by Bruce Nixon
  • Physiognomy and a Fisherman: August Sander and Forrest Bess. Some Relations with Nature by Lauren Kroiz
  • Lifting into the Foreground: A Meditation on Joseph Holston’s Charity by Jeffreen M. Hayes
  • Bruce Davidson’s Black Female Sitters by Charmaine A. Nelson
  • Artist conversation with Whitfield Lovell and Elsa Smithgall
  • Rethinking Photography at The Phillips Collection: Looking Back / Looking Forward by Wendy A. Grossman
  • Artist conversation with John Edmonds and Elsa Smithgall
  • Connecting Modern with Contemporary: Intersections at the Phillips by Vesela Sretenovic
  • Artist Conversation with Alyson Shotz and Vesela Sretenovic
  • Plates with Selected Object Entries:
  1. heather ahtone: Benny Andrews, Trail of Tears
  2. Taylor Aldridge: Simone Leigh’s No Face (Crown Heights)
  3. Dominique Baqué: Kiefer Dien blondes Haar, Margarethe
  4. Tina Baum: Larrakitj Poles
  5. Enrique Martinez Celaya:  Forrest Bess, Black Seascape with Moon
  6. Makeba Clay- McArthur Binion, DNA: Black Painting and Gee’s Bend Quilts
  7. Kate Cowcher: Aimé Mpane, Mapasa
  8. Jessica Stafford Davis: Zoe Charlton’s The Country a Wilderness Unsubdued)
  9. Sue Frank: Bice Lazzari, Measures and Signs; Folinsbee, Gray Thaw; Al Held, B/W XII and Pan North V
  10. Antony Gormley: Walker Evans, James Agee
  11. Wendy Grossman, Man Ray, Julius Caesar
  12. Liesbeth Heenk: Howard Hodgkin’s As Time Goes By
  13. Franz W. Kaiser: Karel Appel, Head as a Tree
  14. Raina Lampkins-Fielder: Lucy T. Pettway, Two-sided quilt: blocks and strips and Bricklayer 
  15. Jacqueline Lawton: Michna-Bales, Underground Railroad
  16. Renee Maurer: Esther Bubley, A Child Whose Home Is an Alley Dwelling near the Capitol (1943) and Untitled (Two Boys on a Bench) (1951); Katz, Brisk Day; Louis, Seal; Gilliam, Purple Antelope; Avery, Self-Portrait with Red Tam, Frankenthaler, Canyon;
  17. Jennifer Wen Ma: Jennifer Wen Ma, Brain Storm
  18. Alexander Nemerov: William Christenberry, Church across Cotton, Pickinsville, AL
  19. Nontobeko Ntombela: O’jeikere Hair Styles
  20. Klaus Ottmann: Celaya, The First Kirkegaard; Laib, Wax Room; Lüpertz, Kassandra; Walther, Red Song Formation;
  21. Eliza Rathbone: Degas, La Répétition au foyer de la danse
  22. Ellington Robinson: Whitfield Lovell Kin XXXV
  23. Bernardi Roig: Kiefer, Jacob’s Heavenly Blood Blessed by Axes
  24. Susan Rothenberg: Three Masks (2006) and Dominos Cold (2001)
  25. Sean Scully: Renee Stout, Escape Plan A and Life Lessons (after
  26. Nathaniel Lyons)
  27. Elsa Smithgall: Hale Woodruff, Atlanta Portfolio; Kara Walker, Crest of Pine Mountain where General Polk Fell; Jacob Lawrence, Going Home; David Driskell, Doorway portfolio.
  28. Bosco Sodi: Mark Rothko, Aubade
  29. Vesela Sretenovic: Ellsworth Kelly, Untitled and lithographs; Bosco Sodi, Muro; Zilia Sanchez, Maquinista
  30. Renée Stout: Sean Scully, Day
  31. Lou Stovall: Stovall, Suite for Sergei
  32. Elizabeth Hutton Turner: Calder, Hollow Egg
  33. Jenna Wortham: McArthur Binion, DNA: Black Painting: I
  • Appendix:
  • The Phillips Collection Acquisitions, 2000-2020
  • The Phillips Collection Exhibition History, 2000-2021
  • The Phillips Collection Publication History, 2000-2021
  • Index
  • Contributors
  • Credits