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Pastures Green & Dark Satanic MillsThe British Passion for Landscape

Published by GILES in association with the American Federation of Arts

Add to Cart US$59.95

Published — (UK and USA)

Dimensions — 232 pages, 260 × 235 mm (9 ¼ × 10 ¼ in)

Illustrations — 115 colour

Format — Hardback

Price — UK£39.95 / US$59.95

ISBN — 978-1-907804-34-2

News  —  Pastures Green and Dark Satanic Mills opens at...

            —  Pastures Green and Dark Satanic Mills travels to...

            —  British Passion for Landscape moves to Utah this...

            —  Pastures Green moves to Pittsburgh in May

            —  Pastures Green opens in Florida next week

Sales Points

"Successfully combines work by the greatest masters in the genre with the production of little-known and often unjustly forgotten Welsh painters"—Jacques Carré, Cercles

"A valuable addition to studies of ... landscape art"—Patricia Andrew, Cassone 

About the Book

Pastures Green & Dark Satanic Mills recounts the story of British landscape painting from the Industrial Revolution in the late 18th century to the present day. Examining 88 paintings from the National Museum of Wales, this volume traces the history of landscape art through romanticism, impressionism and modernism right up to the postindustrial imagery of the 21st century.

The book presents two major essays: one by Tim Barringer on the tradition of British landscape painting and its position within an increasingly industrialized society, the other by Oliver Fairclough on the significance of the Welsh landscape within the British tradition. Loosely chronological and divided into 6 thematic sections, this new volume demonstrates the strong continuity between the British art of today and that of over 250 years ago: contemporary works, such as conceptual artist Richard Long’s photo pieces based on hiking in the Welsh mountains echo the poetics of place as deeply as Richard Wilson’s landscapes of the 1740s.Features masterpieces by renowned artists: JMW Turner, Richard Wilson, Joseph Wright of Derby, John Constable, Thomas Gainsborough, Thomas Jones, Frank Brangwyn, August John, Cedric Morris, Stanley Spencer, Claude Monet, Laura Knight, Alfred Sisley, Edward Lear, Graham Sutherland and John Piper.

About the Author(s)

Tim Barringer is Paul Mellon Professor of the History of Art, Yale University. His recent publications include Edwardian Opulence: British Art at the Dawn of the Twentieth Century (2013), Pre-Raphaelites: Victorian Art and Design (2013) and Landscape, Innovation, and Nostalgia: The Manton Collection of British Art (2012). Oliver Fairclough is Keeper of Art, National Museum of Wales, and the author of A Companion Guide to the Welsh National Museum of Art (2011) and Turner to Cezanne: Masterpieces from the Davies Collection (2009).