Forgot Password?|Close
login|Register
Free Shipping to the US
Search
Giles Newsletter
Your Cart is empty
Meissen Porcelain

Pin It

Scripture for the EyesBible Illustration in Netherlandish Prints of the Sixteenth Century

Published by GILES in association with the Museum of Biblical Art, New York

Add to Cart US$65.00

Published — (UK and USA)

Dimensions — 224 pages, 240 x 280mm (11 x 9 ½ in.), landscape

Illustrations — 66 colour and 70 b & w illustrations

Format — Hardback

ISBN — 978-1-904832-66-9

Book Details (pdf) — Scripture-for-the-Eyes-AI-LR.pdf

Press Release — Scripture for the Eyes

Sales Points

"Scripture for the Eyes serves both its principal purposes, as it instructs and delights simultaneously" Larry Silver, The Art Book "An important contribution to the study of Netherlandish Bible illustration" Peter van der Coelen, Print Quarterly "Aimed at upper level undergraduates or graduate students, reasonably priced, and expertly produced, this exhbition catalogue makes an excellent addition to the academic research library" Kasia Leousis, Art Libraries Society of North America "Will make us use our eyes differently and encourage us to see deeper than we did before. It will certainly repay several readings" Jay Turner, Vidimus

About the Book

Scripture for the Eyes: Bible Illustration in the Sixteenth Century Low Countries opens up our understanding of the design, production and market for Biblical prints and illustrated Bible images in 16th century Flanders, and explores the central role they played in one of the most dramatic artistic and religious transformations in European history. Prints are often seen as merely following artistic developments in the more prestigious medium of painting and, in turn, the visual arts are seen as mirroring changes in society, but this groundbreaking book challenges these views. Featuring approximately 130 engravings, woodcuts, and illustrated Bibles and books by Lucas van Leyden, Maarten van Heemskerck, Philips Galle, Hendrick Goltzius, Hieronymus Wierix and others, it reveals that biblical prints were a dynamic force both in the transformation of Northern European art between Albrecht Durer and Rembrandt van Rijn, and in the intensified attention to Scripture in the religious turmoil of the Reformation and Counter-Reformation.

About the Author(s)

Dr. James Clifton is Director of the Sarah Campbell Blaffer Foundation and curator in Renaissance and Baroque Painting, Museum of Fine Arts, Houston. He is the co-author of A Portrait of the Artist, 1525-1825: Prints From The Collection of the Sarah Campbell Blaffer Foundation (2005) and The Body of Christ in the Art of Europe and New Spain, 1150-1800 (1997); Dr. Walter Melion is Asa Griggs Candler Professor of Art History, Emory University and is the author of Shaping the Netherlandish Canon: Karel van Mander’s “Schilder-Boeck” and The Meditative Art: Studies in the Northern Devotional Print, 1550-1625